

Munch spent most of his last two decades in solitude at his nearly self-sufficient estate in Ekely, at Skøyen, Oslo. Many of his late paintings celebrate farm life, including many where he used his work horse "Rousseau" as a model. Without any effort, Munch had a steady stream of female models, some of which he may have had sexual relations with, and who were the subjects of numerous nude paintings. Munch occasionally left his home to paint murals on commission, including those done for the Freia chocolate factory.
To the end of his life, Munch continued to paint unsparing self-portraits, adding to his self-searching cycle of his life and his unflinching series of snapshots of his emotional and physical states. In the 1930s and 1940s, the Nazis labeled Munch's work "degenerate art" (along with Picasso, Paul Klee, Matisse,Gauguin and many other modern artists) and removed his 82 works from German museums. Adolf Hitler announced in 1937, "For all we care, those prehistoric Stone Age culture barbarians and art-stutterers can return to the caves of their ancestors and there can apply their primitive international scratching."
In 1940, the Germans invaded Norway and the Nazi party took over the government. Munch was seventy-six years old. With nearly an entire collection of his art in the second floor of his house, Munch lived in fear of a Nazi confiscation. Seventy-one of the paintings previously taken by the Nazis had found their way back to Norway through purchase by collectors (the other eleven were never recovered), including The Scream and The Sick Child, and they too were hidden from the Nazis.
Munch died in his house at Ekely near Oslo on January 23, 1944, about a month after his 80th birthday. His Nazi-orchestrated funeral left the impression with Norwegians that he was a Nazi sympathizer. The city of Oslo bought the Ekely estate from his heirs in 1946 and demolished his house in May 1960.
some of his art pieces :
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Expressionism was a modernist movement , initially in poetry and painting, originating in Germany at the beginning of the 20th century. Its typical trait is to present the world solely from a subjective perspective, distorting it radically for emotional effect in order to evoke moods or ideas. Expressionist artists sought to express meaning or emotional experience rather than physical reality.
The term "Expressionism" is usually associated with paintings, graphic work, and other forms of artistic practice in Germany at the beginning of the 20th century that challenged academic traditions, particularly the Die Bruke and Der Blaue Reiter groups.
The term is sometimes suggestive of emotional angst. In a general sense, painters such as Matthias Grunewald and El Greco are sometimes termed expressionist, though in practice the term is applied mainly to 20th-century works. The Expressionist emphasis on individual perspective has been characterized as a reaction to poticivism and other artistic styles such as naturalism and impressionism.
Expressionism' art pieces :
"View of Toledo" by El Greco, 1595/1610
Wassily Kandinsky, On White II, 1923
Rehe im Walde, 1914, by Franz Marc
